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Article: Shakudō

Shakudō

History and Early Uses

  • The word shakudō first appears in records of the Japanese Nara period (710-784 AD)
  • Actual pieces of shakudō are known from the 12th century onwards
  • Shakudō was historically used to construct or decorate Japanese sword fittings such as tsuba, menuki, and kozuka
  • It was also used for small ornaments, sliding door catches, and small boxes
  • Shakudō was introduced to the West in the mid-19th century
  • The exact meaning of shakudō during the Nara period is unclear
  • The use of shakudō in sword fittings and other decorative items dates back to the 12th century
  • It was highly valued for its unique color and durability
  • Shakudō became an important material in traditional Japanese craftsmanship

Possible Origins

  • Shakudō and similar materials were initially believed to be specific to China and Japan
  • Recent studies have revealed close similarities to decorative alloys used in ancient Egypt, Greece, and Rome
  • This suggests a possible cross-cultural exchange of metallurgical techniques
  • Shakudō may have been influenced by ancient metalworking traditions from different regions
  • The exact origins of shakudō and its production techniques are still not fully understood

Production

  • The origins of shakudō can be traced back to a period when Japan imported techniques and materials from Korea and China
  • The production process involved heating copper, adding fine gold, and sometimes adding shirome, a by-product of copper production
  • In the Edo period, nigurome, a pre-made mix of copper and shirome, may have been used instead of copper
  • The resulting alloy was shaped and annealed at around 650°C
  • Modern production processes often omit shirome and work directly with copper, gold, and other additives

Use

  • Due to its expensive gold content, shakudō was primarily used for accents or small items like tsuba
  • The glossy blue-black color is a characteristic feature of shakudō
  • Larger objects described as shakudō may be mislabeled if they lack this color
  • Unpatinated or repolished shakudō does not patinate in air
  • Modern artisans have revived the use of shakudō in jewelry-making, vessel creation, and mokume-gane technique

Miscellaneous

  • Shakudō was highly valued for its unique color and durability
  • The production process involved heating copper, adding fine gold, and sometimes adding shirome
  • The exact origins of shakudō and its production techniques are still not fully understood
  • Modern artisans have revived the use of shakudō in jewelry-making, vessel creation, and mokume-gane technique

Shakudō Data Sources

Reference URL
Glossary https://harryandcojewellery.com.au/blogs/glossary/shakudō
Wikipedia http://en.wikipedia.org/wiki/Shakudō
Wikidata https://www.wikidata.org/wiki/Q912435
Knowledge Graph https://www.google.com/search?kgmid=/m/03gpbf

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